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Featuring Ivan Trembow's Self-Important, Random Rants on Mixed Martial Arts, Video Games, Pro Wrestling, Television, Politics, Sports, and High-Quality Wool Socks Ivan's Blog Main Page Archives September 2002 November 2002 February 2003 March 2003 April 2003 June 2003 October 2003 August 2004 October 2004 November 2004 April 2005 May 2005 June 2005 July 2005 August 2005 September 2005 October 2005 November 2005 December 2005 January 2006 April 2006 May 2006 June 2006 July 2006 August 2006 September 2006 October 2006 November 2006 December 2006 January 2007 February 2007 March 2007 April 2007 May 2007 June 2007 July 2007 October 2007 December 2007 January 2008 October 2008 November 2008 December 2008 January 2009 February 2009 April 2009 May 2009 June 2009 July 2009 August 2009 September 2009 October 2009 November 2009 December 2009 January 2010 February 2010 March 2010 April 2010 May 2010 June 2010 July 2010 August 2010 September 2010 |
Saturday, September 14, 2002
Pro Wrestling--- This week's Smackdown was one of the better WWE shows in recent memory. I wasn't sure where they were going with the whole "Chuck and Billy's same-sex wedding" angle, but I certainly didn't expect the elderly Justice of the Peace to rip his face off and reveal Eric Bischoff underneath, nor did I expect the Island Boys to run out and attack Stephanie McMahon. It's that kind of writing that makes Smackdown a consistently better show than Raw. Raw and Smackdown had the same basic feel to them until a few months ago when the writing teams were split in half, with Paul Heyman leading the Smackdown team and Brian Gewirtz leading the Raw team (and of course, Vince and Stephanie McMahon supervising both teams). Is it any surprise that Smackdown has since gotten significantly better while Raw has gotten significantly worse? Gewirtz has been intent on producing the Vince Russo style of "Crash TV" for months while only making slightly more sense than Russo did in his WCW days, and his weaknesses as a writer are being increasingly exposed for all to see now that he's in charge of writing Raw. Meanwhile, Heyman manages to forward story lines and have internal logic while also being unpredictable, and letting the wrestlers themselves carry the bulk of each show rather than "sports entertainment segments." The show-ending angle with The Undertaker, Brock Lesnar, and Paul Heyman on Smackdown is a perfect example of Wrestling Booking 101. Heyman's scummy manager character threatens Taker's pregnant wife Sara, Taker storms backstage and appears to get his hands on one of the heels (Heyman), then the other heel (Brock Lesnar) whacks him in the head with a steel chair. Lesnar then gets himself over as a stronger heel by threatening Sara, and the angle never goes too far for its own good. If Brock had attacked a pregnant woman, even if it's just a story line, that would have been going too far. Thankfully, Heyman the writer (as opposed to Heyman the on-air character) knows where to draw the line. It also doesn't hurt that Smackdown has exclusive access to the cruiserweight wrestlers, even if they are relegated to the B-show that is Velocity more times than not. Smackdown routinely has in-ring action that rivals some of the WWE's pay-per-view matches, such as Kurt Angle vs. Rey Mysterio, and The Guerreros vs. Edge & John Cena on this week's show. The only wrestlers on Raw who are really exciting to watch in the ring are Rob Van Dam, Chris Jericho, and maybe Triple H on a good night for him. Getting rid of the Hardcore division was a long-overdue first step, but serious changes need to be made both in the ring and in the writers' meetings if the McMahon family wants to stop the downward trend of Raw's ratings. Labels: World Wrestling Entertainment (WWE) Send your feedback, questions, or hate mail to ivan@ivansblog.com If you're looking for all of the content from my other site, Master Gamer, you can find it here. |